It had four descending chromatic bass notes repeating in a loop, though it was dynamic and interacted with the player, increasing pace as the enemies descended on the player. The first game to use a continuous background soundtrack was Tomohiro Nishikado's Space Invaders, released by Taito in 1978.
While this allowed for inclusion of music in early arcade video games, it was usually monophonic, looped or used sparingly between stages or at the start of a new game, such as the Namco titles Pac-Man (1980) composed by Toshio Kai or Pole Position (1982) composed by Nobuyuki Ohnogi. The popularity of video game music has created education and job opportunities, generated awards, and led to video game soundtracks to be commercially sold and performed in concerts. Video game music can be one of two kinds: original or licensed. Game soundtracks can also change depending on a player's actions or situation, such as indicating missed actions in rhythm games, informing the player they are in a dangerous situation or rewarding them for certain achievements. Music in video games can be heard over a game's title screen, menus and during gameplay. With advances in technology, video game music has grown to include a larger variety of sounds. These limitations have led to the style of music known as chiptune, and became the sound of the first video games.
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Early video game music was once limited to sounds of early sound chips, such as programmable sound generator (PSG) or FM synthesis chips. Video game music (or VGM) is the soundtrack that accompanies video games.
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